Go in-depth with prog rock, prog metal, and electronic music
Progtopia Planetary Premiere 12 July 2017 : Soul Secret - "Entering the City of Gods"
July 12, 2017 07:23 AM PDT
Two years ago, when Soul Secret keyboardist and story-writer Luca Di Gennaro was last on Progtopia, host Mark Ashby asked him (off-air) if the band would be willing to provide an exclusive track for a world premiere when their next album would be released. Di Gennaro agreed, and now we know he is an honest man. In this episode, you'll get a listen to a song from their upcoming conceptual work Babel, due for release on 28 July. The early-prog enthusiast also talks about why he prefers the focus of writing to a concept, the philosophical and literary bases for Babel, and their performance this weekend in support of Mike Portnoy at the Night of the Prog Festival. They can be found online at www.soulsecret.net.
To hear the previous two episodes featuring Soul Secret, click these links:
"Like" Progtopia on Facebook (www.facebook.com/Progtopia and www.facebook.com/groups/1380357308874546/) and follow Progtopia on Twitter (@Progtopia) to send a message about the show and to receive news about current and upcoming interviews. Thanks for listening!Episode 113 : In Equilibrium with Nicolas Waldo
June 23, 2017 09:27 PM PDT
The air guitar was invented because of musicians like Bogotá, Colombia's Nicolas Waldo. With blisteringly-fast technique that has gotten him compared to John Petrucci and Joe Satriani, Waldo has released several solo albums showcasing his shredding style that is still firmly rooted in progressive elements. With the recent releases of his solo album Equilibrium and band project Energema's The Lion's Forces (based on the Chronicles of Narnia), Waldo has been busy this spring. Host Mark Ashby speaks with him about how long it took him to practice to become this fast, his work as a guitar teacher and who can train with him, and which guitarist he'd most like to share a stage with. Waldo's Facebook page is https://www.facebook.com/nicolaswaldo/.
"Like" Progtopia on Facebook (www.facebook.com/Progtopia and www.facebook.com/groups/1380357308874546/) and follow Progtopia on Twitter (@Progtopia) to send a message about the show and to receive news about current and upcoming interviews. Thanks for listening!Episode 112 : Quietly Storming with Galahad
June 02, 2017 10:06 PM PDT
Thirty-two years in the business, and still going through the changes in personnel, the ups and downs in the sizes of prog audiences, and all the creative challenges that come with that sort of longevity, Galahad are true survivors. Owing much of their early sound to Gabriel-era Genesis and 70s Yes, they've since carved out their own personality, which often includes extensive reworkings and reimaginings of their past tracks. Some of that is on display on their latest release, Quiet Storms, which also contains several new songs with a more contemplative feel overall. Host Mark Ashby chatted with singer Stu Nicholson about the inspiration he draws from a band that is very different from them -- Rammstein -- changes in guitarists, and why certain tracks might be more logical for reworkings than others. They're on the web at www.galahadonline.com.
To hear the previous episode featuring Galahad, click this link: http://progtopia.libsyn.com/episode-024-galahad-battle-scarred-but-euphoric
"Like" Progtopia on Facebook (www.facebook.com/Progtopia and www.facebook.com/groups/1380357308874546/) and follow Progtopia on Twitter (@Progtopia) to send a message about the show and to receive news about current and upcoming interviews. Thanks for listening!Episode 111 : Riding the Ghost Mile with Voyager
May 21, 2017 07:30 PM PDT
"This is real cream!" So says a YouTube commenter about the music of Perth, Australia's Voyager (Simone Dow, guitar; Ashley Doodkorte, drums; Danny Estrin, vocals and keyboards; Scott Kay, guitar; and Alex Canion, bass and backing vocals). Seems as good of a description as any of the powerful (and tasty) blend of metal, pop, and prog that they've been banging out for six albums now. The most recent of those, Ghost Mile, is just out, and host Mark Ashby catches up once again with Canion about the crowds they've been playing for, including in their hometown, how it's possible to be close friends and still make a band work together without either suffering, and if djent is an appropriate word to apply to them. Visit www.voyager-australia.com for more information.
To hear previous episodes featuring Voyager, click these links: http://progtopia.libsyn.com/episode-051-breaking-down-voyager
May 02, 2017 09:35 PM PDT
You know him mainly from his vocal work with classic rockers Toto, particularly on big hits like "Hold the Line" and "Rosanna," but did you know he's the guy singing backup on the Tubes' "She's a Beauty," or albums from the likes of Diana Ross, Barbra Streisand, and Quiet Riot? Bobby Kimball is in his seventh decade but still sounding like a singer half his age, and his latest solo album We're Not in Kansas Anymore has just been released in the US after a November release overseas. AOR listeners everywhere will have plenty to love about this record, and he speaks with host Mark Ashby about his early musical development and cross-racial friendship with a man nicknamed Tanner, his pride in the Grammy Awards Toto garnered with their smash album Toto IV, and how he keeps his vocals in shape after all these years. He's online at www.bobbykimball.com
April 18, 2017 03:00 AM PDT
Six months since our last Planetary Premiere show, and we're going on the heavy side with this exclusive-to-Progtopia track from Pennsylvania's MindMaze, a prog-power metal quartet that is now on the cusp of bigger and better things. With the new album Resolve coming out at the end of the month on Inner Wound, they'll be embarking on a North American tour of over a month in length in which you'd be wise to check out their high-energy sets. Host Mark Ashby talked with guitarist Jeff Teets about listening back to older material and why they chose the theme and concept for the new album, and you'll hear Resolve's fourth track "Drown Me" here before you'll hear it anywhere else. They're online at www.mindmazeband.com.
To hear the first episode featuring MindMaze, click the link: http://progtopia.libsyn.com/episode-063-mindmaze-walks-through-the-open-door
March 31, 2017 02:21 PM PDT
He's been called "discomfiting" and "overly whimsical," and while those labels are debatable, there's no denying that UK singer/songwriter Tom Slatter creates the kind of music he wants to, and fans of quirky storytelling and often-progressive music have been finding him. His latest album, Happy People, was released on the 17th of March on Bad Elephant Music, with members of the Rube Goldberg Machine (Episode 093) assisting. With concepts that are reminiscent of dystopian science fiction and riffs that are alternately toe-tapping and impossible to count, Slatter has earned himself a nomination for the Prog Magazine Limelight Award in 2016, though the world will never know why he didn't win. Hear him talk with host Mark Ashby about the literary inspirations he draws on, why bad reviews can sometimes be good, and how being late on a deadline turned into a running joke among his supporters. He's on the web at www.tomslatter.co.uk.
March 17, 2017 07:34 AM PDT
We love our female-fronted symphonic rock on this show, but Karnataka transcends such a label with a blend of progressive, metal, and world music that has been entrancing fans for a couple of decades. Frequent guests at festivals like this year's HRH Prog and on their own tours like the current End II End jaunts, the band (Jimmy Pallagrosi [drums], Hayley Griffiths [vocals], Enrico Pinna [guitar], Ian Jones [bass], and Çağri Tozluoğlu [keyboards]) has built a sizeable fan base through their live shows and albums like 2015's Secrets of Angels. With influences and instrumentation that suggest areas of the world from India to Ireland and all points between, they're a must-listen for fans of intelligent yet accessible prog. Jones chats with host Mark Ashby about the early pre-Karnataka years, how the classically-trained Riverdance veteran Griffiths became their singer in 2011, and why they try to play live as much as possible. They're online at www.karnataka.org.uk.
March 02, 2017 06:35 PM PST
The feeling you get when you hear a truly remarkable voice is a special one, and that's the way many prog fans feel when they find out that Damian Wilson is part of a project. And those projects over the years have been many, whether in his early years with Landmarq through fronting Threshold and Headspace, or on his own solo albums like 2016's Built for Fighting. His versatility in flowing between genres is remarkable, and in this interview with host Mark Ashby, Wilson discusses why he would actually like to be involved in more projects, the pros and cons of performing as Jean Valjean in a touring company of Les Miz, and how fans will be able to hear a piece of him in every song he's written over the years. You can find him online and learn more at www.damianwilson.net.
February 13, 2017 08:27 PM PST
You could call them a jam band, you could call them instrumental prog, but whatever you do, don't called them commercial. California's Djam Karet has been creating their own brand of self-described "self-indulgent" music for over three decades, but a devoted following has managed to find them, anyway. Maybe that's because their excursions into improvised territory don't meander and wander in directions that nobody else can follow. Their approach comes off as focused and highly musical, as evidenced on almost 20 albums including their newest, Sonic Celluloid. Host Mark Ashby talked with founder and multi-instrumentalist Gayle Ellett about why they've never even thought about satisfying anyone but themselves when composing and recording, what allows them to have stayed together for so long, and whether or not he feels they have anything in common with bands like the Grateful Dead or Phish. They're on the web at www.djamkaret.com.
A podcast dedicated to progressive music in its various forms, including interviews with the musicians themselves.
I'm a fan of all sorts of music, but primarily progressive rock, progressive metal, and electronic. I also run a voiceover/audio recording business, Sound Mind Voiceovers (www.soundmindvoiceovers.com). As a narrator for the Library of Congress National Library Service for the Blind and Physically Handicapped, I've recorded almost 400 audiobooks. You can also find titles I've narrated for the commercial audio market on audible.com.
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